‘The Age Of Recognition’ follows Hush Bewlay‘s EP ‘I’m A Stranger Here Myself’ and is the hard-hitting debut album filled with soaring sounds and hazy synths.
An exciting and soft, crooning voice leads us through eight tracks that subtly blend together on Bewlay’s debut album and make for an enticing listen. Bringing together influences of pop, punk, and shoegaze, the album is a constant surprise and evolves from start till finish. Softly thumping drums ring through on hard-hitters such as album opener ‘Social Smoker’, and ‘Don’t.’, they all utilise the same successful formula which makes Bewlay’s sound an easily identifiable one.
A personal favourite is the shimmering and lighter-hearted ‘Familiar Landscapes’, with its dynamic soundscape and wandering elements makes for a musical journey. His voice shines brightest on ‘Wasted Days’, while ‘Too Sad’ starts of most heavy, then shimmers on. ‘The Age Of Recognition’ makes for an exciting listen, playing with elements that aren’t often seen in modern musical landscapes, and dances confidently through the airwaves. Its sound is playful, not too serious, and becomes addictive throughout, creeps up on you like you wouldn’t expect.
Hush Bewlay mostly recorded his debut album at his home studio over the last eighteen months and brings a collection of songs about art and life, about maturing as a human being by yourself and in relationships. “The title itself refers to both the modern age where attention is the most important currency, and the importance of self-reflection and not taking yourself too seriously.” With influences taken from post-punk, 80’s pop, current radio and modern beats, Bewlay has created something unique and heart-warming, showcasing his true musicianship.
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